Thursday, February 22 h.21 '07 - Trivulzio Palace - via Dante, 2 Melzo (MI)
arcadia Melzo cinema cinema cinema Melzo arcadia arcadia arcadia Melzo Melzo cinema.
arcadia Melzo cinema cinema cinema Melzo arcadia arcadia arcadia Melzo Melzo cinema. Original title: ALLEGRO NOT TOO
Director: Bruno Bozzetto Duration: 1:25 h
Nationality: Italy 1976 
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"Allegro non troppo is the only episodic film director, although this does not mean episodic nature: while it can be read as a collection of six short films together, perhaps intentionally, quite unequal in their choices of content and formal results, Allegro non troppo other plays on this diversity to assert itself as a homogeneous text, design strong, unified, integrated, compact in which the narrative in terms of both conceptual and individual stories of the plot . Structured
on the inside with black and white images from life, set in a theater with actors in the flesh to introduce the single animated stories, the film is intended, as most of the corpus sketches demystify some of the big issues' contemporary universe. "
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" But if West and soda and VIP target the flaws and contradictions of modern society through the parody film genre then fashionable, respectively, the Far West and the yellow of action, or even better the spaghetti westerns and James Bond genre, Allegro not too much, rather than a genre, a character or an author, look at even a single film: the target of satire touches only this time the Fantasia (1940) by Walt Disney, behind and in front of which Bozzetto postmodernist can lead a ruthless game of accusations, innuendo, invective, quotes and opinions. In particular, besides the usual rejection of Manichaeism, doing good, of moralism and sentimentality in these films disneiani from Snow White on, Allegro non troppo seems to communicate to the audience that after Fantasia was just a series of sketches anomalous, very little mixed and held together by the slender thread of the real figure of Leopold Stokowsky, a real orchestra director, who is confined rhetorically, to present the music. " Moreover, the same model, which has repeatedly Allegro non troppo to consider his best film, said:
'twelve times I've seen Fantasia. Disney has given a graphic illustration of the music basically, and I tried to tell stories. (...) It is much harder to make a story to the music not indulge in fancy graphics "
"(...) I think that if survey still gets approval it is because there is something about our inner life, in ourselves, that character is hard to die. I can explain the repeated success of the television film is the only way, or, if one thinks about the difficult lives of the policemen present, and also attrition has been under the figure of the policeman by this time, the film should seem antediluvian. Then, perhaps, in the film there is an air of history. At that time the films were made in the wake of large mass movements, were not lonely, as it is today. Perhaps, in the film, there's the harsh climate of those years of hope. "
Central Station kill immediately Scerbanenco George (1911-69), written by F. Di Leo, is an action movie with violent aspects of social criticism and complaint and at least one fateful joke ("If you go on like this, you will see that will create the mafia in Milan"). Fine company of actors, among which G. Moschin, hard by the ambiguity of innocent air, and F. Wolff, a commissioner at the "old style". 
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Awards: David di Donatello 
, both within Mafioso of illegal power, both in the relationship of complicity that binds the legal power to power illegal .(...)" 
